2024 UPDATE!

I don’t blog much because I’m busy WRITING! Each year I release 6-8 books, so there is plenty coming. I’m mostly active on my Facebook reader’s group, my Patreon, and on Instagram. Find and follow me in those places - links below.

If you want to get daily chapters and/or frequent updates, join my Patreon here.

I have begun posting on Royal Road as GoblinWrangler. I will continue starting my new series as webserials first, and then they’ll go to Amazon/Audible/Retailers. You can check out my latest fictions here and follow me there.

The best bet to keep up with my releases is to:

* Follow me on Amazon

* Check out my Linktree

* Follow me on Instagram

* Join my Facebook reader’s group

* Join my discord

* Add me on TikTok

Dragonessence - The Magic System

Dragonessence is the name of the cosmic energy—mana, power, chi, magic—used in The World According to Dragons. It will also be used in other series I’ve planned as part of the Sagaland Chronicles.

In designing the magic system, I wanted something that I hadn’t done before, and something that could be used for more than one purpose.

I’ve created a system for Pilgrim, one based on ‘bending one’s echo’ that uses a primitive way to judge how far someone has come in their cultivation using a simple stone and gauging once’s progress to a glowing tablet. In War Priest, I wanted to use a chi-based system that could be interpreted in three distinct ways including a healing medium (Revivaura), as a deceptive medium (Chimaura), and as a combat medium, (Thunderaura).

For The World According to Dragons, and the overall Sagaland Chronicle books, I wanted to design a system that had the flexibility of a soft magic system yet had the underpinnings of a Sanderson-esque hard magic system.

In doing so, I looked to something that has been a part of my life for a long time now—music.

I found inspiration in music in designing this system, a medium that can be as fluid as it is rigid.

As a former musician who was trained classically but learned to play by ear as well, I’ve seen the advantages of both systems. I’ve also seen how rigid focusing only on one can make a musician, and how those that can do it all by ear often miss out on improving their overall skill because of their inability to read from sheet music.

In thinking of this, it dawned on me how much I wanted the dragonessence system to work in a similar way.

I’ll explain how.

The first thing you should know is that at the start of The World According to Dragons and throughout this series, dragonessence is banned. It is a fantasy trope that plays well into magic worlds because it keeps everyone from being overpowered from chapter one. People are, however, able to reap the benefits of dragonessence through magically powered relics.

You don’t need to worry about any of that now. 

All you need to know is that the magic is banned, yet it is flexible enough to be used in an organized way, or a much looser style, just like music. This means one could study the actual coded nature of dragonessence and use it. Or, they could figure out how to use it through a relic and benefit from this cosmic power in that way.

To keep things simple, this is explained to Twillo, the main character, in this way:

  1. Dragonessense can be cultivated and stored, and it can be shut off. 

  2. Dragonessence can be used to augment a person’s physical traits.

  3. Dragonessence can be used to imbue an object with power by coding it with a set command.

My wife, the same artist who has done the sketches in Cowboy Necromancer, has also drawn some pictures to better illustrate the system.

This first picture illustrates the first aspect of dragonessense, that it can be stored, cultivated, and turned off akin to the power system in Hunter X Hunter. This latter bit, turning it off, does play a part in the first book.

This second picture illustrates the second aspect of dragonessence, using it to augment ones’ physical power. In the illustration, we have someone who has used it to augment their attack power, and one who has used it to leap to the top of a cliff. Also introduced in the book is using dragonessence to create a shield around one’s body known as a dragonaura. This can also extend to certain weapons, also something illustrated in the picture of the left. 

In this third picture, we see the third aspect, the relic-side of dragonessence by imbuing an object with a coded power. This is, possibly, the most advanced level of understanding and using dragonessence. Not only does it apply to inanimate objects, it can also apply to transferring a particular skill from one person to another. 

The World According to Dragons represents the improvised side of dragonessence.

The main character comes to use these powers through chance, a divine encounter, and later an understanding of the relics that he already collects. Future series set in this world will explore other aspects of this system, the first of which will be published next year. I have a title, I have a concept, and I’ll reveal more about that soon!


For more about this project, check out this overview which contains the map of the Four Kingdoms.

To read about the yokai and other mythological creatures curated for this world, go here.

To read about the main character of The World According to Dragons, go here.




Twillo: An Introduction

Twillo is the name of the main character of my next series, The World According to Dragons.

Above is a concept art piece by cover artist Daniel Kamaruddin.

An elven man from the Kingdom of Icenor, Twillo is a relic hunter, who comes from noble, or saracentic blood, as it is called in the Four Kingdoms. His original name was Jhaeros Shotaro Vos, yet Twillo now goes by the nickname his mother gave him when he was a child, an old Sagic word that means light of the winter morning. While Twillo has been trained to use a sword as part of his noble heritage, he’s scrappy and prefers to use his relics and other trickery for combat.

It is in seeking out a relic, one known as the Quill of Katzimo, that Twillo comes into contact with the dragon. 

I’ll let you read the story to find out how. 

If you can imagine a relic hunter who collects magical items and then sells them by pushing around a mysterious cart during a yearly relic festival, you wouldn’t be far off.

You also wouldn’t be far off from the idea that spawned Twillo’s profession (but not exactly his character). 

I was inspired by a video of a Japanese man who has a roaming bar in Tokyo called Twillo. He uses social media to tell people where he will be, and if they show up, he serves them a drink. I named Twillo’s father after Shotaro, the owner of the roaming bar. 

Here is an article about him.


In The World According to Dragons, Twillo leads a similar life, selling and trading relics and mapstones through a roving cart. 

But there are some relics he can’t part with.

Twillo has a lot of items he’s collected or traded over the year. I won’t reveal them all here, but at the start of The World According to Dragons, he has things such as:

Amulet of a Forlorn Harvest Monk (wears around his neck) - has a power that when focused on forces people to forget what has happened over the last thirty minutes.

Butterflies of Light (kept in a clay container lined with old leather - they return to the jar when summoned with a whistle) - useful for lighting extremely dark passages when his vision fails him - they can also disrupt an enemy.

Basanic Fire - The powdered lungs of a yokai known as a basan, or fire chicken, kept in a solution and stored in a thick glass sphere protected by a leather encasing. Spreading the powder creates the appearance of a raging fire, but it doesn't produce the heat. 

Enkiro Ring of Animation - animated objects around the wearer (7 foot radius lasts for one minute or until objects expire) - must tap right on left pinky finger ten times. Twillo has learned in tapping it against an object directly a few times that it is more controlled. 

Ground Shell of a Yandori Snail -  produces intense nightmaric visions

Gloves of Maruth - Allow Twillo to climb on any object

Every relic has a story, and while the book is a progression/cultivation fantasy, I dive into a couple of the stories behind his stranger items. 

Not only that, Twillo has dozens of tattoos, each marking either a moment in his life or a relic he either has or has parted with. 

Twillo’s background is a mystery at the start of the novel. He’s even referred to as ‘the relic hunter’ to further accentuate this mystery. I don’t want to spoil a lot here, but Twillo has a past that not only reveals itself as the novel pushes on, he’s even given a challenge in which he takes an active part in it.

The World According to Dragons is the most cerebral thing I’ve written because of these key scenes. It tells several narratives. One is a classic chosen one styled narrative, at least on the surface. There is also a very extensive progression fantasy (re: hard magic system) element that opens up as the book pushes on. More on that later. It is a narrative about a son learning more about his dead father. It is also a novel about the Gods and Goddesses that play in the lives of these mortals who will never know that they are being manipulated. Finally, it is a novel about friendship and bonding between Twillo, the dragon, and others he meets along the way including an elven orc barkeep and a kitsune. 

If you are reading this after October 2022, you can read it now! Either way, I can’t wait for you to see what I’ve put together here.

Here’s another blog post about The World According to Dragons.


Harmon Cooper Dragon Con 2021 Schedule!

Below is my schedule for Dragon Con 2021 in Atlanta!


Friday

Title: UF Worldbuilding in Gaming

Time: Fr, Sept 3rd 11:30 am

Location: Westin Chastain 1-2

Panelists: Jay Boyce, Bill Bridges, Travis Heerman, Megan Mackle, Harmon Cooper

Podium Dragon Con Booth Signing

Time: 1:30pm - 2:15pm

Location: #2125

I have limited postcards and buttons!


After that? MDP Con @ White Oak Kitchen and Cocktails 2-5pm

Saturday

Title: Creativity 101

Time: Sat, Sept 4th 11:30 am

Location: Hyatt Embassy EF

Panelists: Esther Friesner, Isabelle Hardesty, Nancy Knight, Tamsin L. Silver, Harmon Cooper

After that? I’ll go to the Will Wight/Travis Baldree panel

Time: 12-3pm

Location: Embassy Suites at Centennial Park, Ballrooms A&B

Sunday:

Title: Science Fantasy: Because Space is the Place

Time: Sun, Sept 5 4:00 pm

Location: Hyatt Embassy CD

Panelists: Ann Margaret Lewis, James Minz, Shami A. Stovall, Marisa Wolf, Harmon Cooper

Title: Boinking Beasties

Time: Sun, Sept 5 10:00 pm

Location: Hyatt Regency V

Panelists: Jennifer Blackstream, Tamsin L. Silver, Valerie Willis, Christopher Woods, Harmon Cooper

Monday:

Title: King Author to Conan to Witcher: Mighty Magical Men

Time: Mon, Sept 6 11:30 AM

Location: Hyatt Embassy CD

Panelists: Patricia L. Briggs, Kelly Lynn Colby, Alan Isom, Steve Saffel,Harmon Cooper

War Priest: Mask of the Fallen

War Priest: Mask of the Fallen is my latest cultivation/progression fantasy book blending Japanese mythology with a coming of age, action packed story. One of the things that makes this one super unique is that while it has a cultivation system I’ve created, I based it on actual translated 16-17th century Japanese shinobi and samurai treaties. I’ve detailed this to some degree on my Patreon, including some of the research, which you can check out for free.

But do that later. Grab the book now, and thank you so much for supporting my work!


Read War Priest: Mask of the Fallen

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War Priest:

Mask of the Fallen

Cowboy Necromancer required reading

If you aren’t a member of my Patreon, you can join for as little as a dollar a month, where I post my research, full texts, and other things. Here’s an example of one of my posts there…


The Cowboy Necromancer story is chiseled into the southwest, and I've been a bit worried about really pulling it off because there's just so much research necessary to get things right.

A lot of the times, it seems as if I have made something up, but if you know my style by now, you might have seen that I generally draw on actual historical documents that I then add a fantasy take to.

With Cowboy Necromancer, I not only wanted to go to some of the places, I wanted to utilize as much native mythology and names and settings of the region to create the world itself as a character.

There have been some books recently that have really helped me, and you can find them all on Amazon. Here are the ones I’ve used to craft the Cowboy Necromancer world:

Blood and Thunder by Hampton Sides

Empire of the Summer Moon by S.C. Gwynne

Desert Solitaire by Edward Abbey

Wild Bill by Tom Clavin

Dreams of El Dorado by H.W. Brands

Some of these are absolutely amazing, especially Blood and Thunder and Dreams of El Dorado for a view of the southwest history as a hole, the Quanah Parker and Wild Bill books for a better understanding of the Comanche and some of the natives of the plains and their ways of life. Edward Abbey's book has helped me with landscape descriptions, plus his voice is something I'll channel for a project in the future. (He is literally a disgruntled park ranger writing a memoir while living at one of the national parks. It's snarky and funny).

But House of Rain by Craig Childs... this is the one I was looking for.

House of Rain follows the writer, an explorer, as he navigates rough terrain in the Southwest and touches on archeoastronomy. And... that's all I needed to connect the threads to a story I could feel at the back of my head regarding the appearance of the Godwalkers in Cowboy Necromancer, and the humans who have encountered them in the past...

Read these books, and check out my Patreon where I’ll continue posting books before they’re release as well as snippets of some of my research.

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Or at least read the books I’ve read to craft this story! All links above go to the Amazon store, and all books are in audio as well.

Proxima Galaxy Explainer

I get this question a lot, and recently I was asked to prepare a document about the Proxima Galaxy for a potential endeavor. Below is what I prepared. There shouldn’t be too many spoilers. If so… well, damn me.

The Proxima Company

The Proxima Company is the owner and creator of the Proxima Galaxy, of which exist various multiverses known as Proxima Worlds. These are digital neuronal dreamspaces that people can “dive” to. Think fantasy worlds, cyberpunk worlds, any type of world in existence and with varying degrees of how deeply they’ve been fleshed out (lore, locations, the user interface, what you do in said world, etc.).


Why this matters to Sacred Cat Island

Sacred Cat Island exists in a Proxima World that is part of the Proxima Galaxy and administered by the Proxima Company. It is a world that real people visit to simply live out normal lives along NPCs through other relationships (re: a different spouse), or a different job, or really anything. Think SimCity in this regard. There is no point of going to this world aside from doing what you can’t do in the real world (i.e. become rich, own a home, fall in love, escape a bad living condition, try a different career). The characters on Sacred Cat Island are NPCs who have escaped from this.


Some terms used throughout the Proxima Galaxy Books:

Dive - To dive is to use an NV Visor to enter one of these worlds. This is done either with a visor and haptic gear (gloves, etc), or suspended in a sarcophagus-like vat of liquid known as a Dive Vat.

D-NAS - Digital Neuronal Autoconstruct System. “DNA” for NPCs and people (re: humans) currently existing in these various Proxima Worlds. Everyone’s D-NAS is unique.

ImmiNPC - An immigrant NPC. Re: an NPC from one Proxima World who is now a permanent member of another. 

NV Visor - Neuronal Visualization Visor. What a real person wears over their head to dive to a Proxima World. 

OMIB - Orthogonal Matrix Inverse Base. This is the code side of one of these neuronal dreamworlds, think a bizarro world that can actually do some damage to the Proxima world if it is exploited. 

Permalogged - This is the term used when someone, perhaps because of socioeconomic reasons or simply to escape reality on Earth permanently, stays logged into a Proxima World through the usage of a Dive Vat and machines managing their vitals. They opt to keep their physical body alive, but exist elsewhere.

Reverse Dive - This would be the opposite of diving to a Proxima World; it would be an NPC coming to our world through various means, everything from a speaker system to being uploaded into an actual android.

RPC - Reborn Player Character. This is a digital imprint of a person through D-NAS into an NPC set to spawn when they die. Think your grandmother/grandfather being able to live eternally in a neuronal dreamworld after they have passed, a form of immortality. Even stranger is if an RPC reverse dives into an android, meaning grandma from 100 years ago (say we’re in 2200 here) would be able to attend your wedding in the real world.

Timeline of Proxima related books

One thing to note about how all of these books fit together in terms of the “Proxima Galaxy” or “Proxima Company” is they are actually the story of a company going from a startup, to the most powerful video game company, and how this branches out into other things, such as an app that “brings” NPCs to our world through androids (known as humandroids in the text) and on eyelid based internet that later moves to retina-based internet known as iNet. There is something ouroboric about it from a philosophical standpoint, not quite touched upon in the text but perhaps visible in this brief timeline.

Cherry Blossom Girls (9 books) - set in the 2030s - this one only mentions the Proxima company in passing, but it does talk about it’s rise to prominence to some degree, and how they shift from the gaming we are used to now to something in a shared neural network/dreamscape.

The Feedback Loop (8 books) - set in the 2050s - deals with people being able to “dive” into Proxima worlds and getting stuck because of an algorithmic issue that’s exploited by a company that reaps profits from life insurance policies taken out on people stuck in said Proxima Galaxies. Introduces the concept of the OMIB and DNAS, and NPC relations, such as the love triangle the main character finds himself in between a human female and an NPC whom he’s been with for eight years. The Feedback Loop introduces technology that brings an NPC to an android’s body, to be “part” of our world. The characters in the real world of this book use iris-based internet and later, NPCs will be brought through this medium. Some of my fans think the beginning of the movie Boss Battle was, ahem, inspired by this book…

The Last Warrior of Unigaea (trilogy) - set in the late 2060s. This series revolves around a man who has permalogged into a fantasy Proxima world known as Unigaea and does not live in the world world aside from his body in vat somewhere in Chicago. In the trilogy, he tries to stop an algorithmic bomb from destroying Unigaea and fails, but is able to send some of the NPC characters to Tritania (see next book) and later, Monster Hunt NYC.

Fantasy Online (currently a trilogy) - set in the 2070s - With a real-world setting of Japan, the series deals with furthered relations between NPCs and humans in a Proxima fantasy world known as Tritania, and introduces technology first used in The Feedback Loop to bring an NPC to our world via someone’s pane of vision (i.e. you would see the NPC, but other people wouldn’t). 

Life is a Beautiful Thing - The first series I wrote starting in 2011 as a Nanowrimo experiment. I was given a month to write a book and this is what I wrote. Four years later, I added three more books. The Proxima Company is mentioned in passing and there are scenes involving some of the characters from Fantasy Online. It is a very trippy book, hallucinatory cyberpunk, so if you do indulge yourself, be aware of that.

Monster Hunt NYC (trilogy) - set in the 2090s - With a real-world setting of New York City, Monster Hunt is about a pair of musicians that use a banned Proxima app that “brings” NPCs to our world to help them catch other monsters. Think Pokemon Go!, but in a real world setting. They also attend tournaments in the Proxima Galaxy, where they grow stronger to help them capture better monsters here.

Sacred Cat Island - Set in the 2100s, this book sees NPCS living in the Proxima Galaxy and operating as if they are actually living beings. Some of the NPCs, like Ganix, actually work for the Proxima company within a Proxima World, and know more about this than others. The younger characters are able to turn into cats via an OMIB portal on the island (not revealed in the text), which is why the researcher Curtis is there (but this tidbit isn’t directly discussed in the book). 

And there you have it. I’m likely missing something because, collectively, the list above represents spans 31 books and also an author fail. I started writing this stuff while living abroad and still working full-time. I then moved back to America and continued to write and work full-time. Unfortunately, doing this is not advised (But entirely necessary for all of us to get our start) and I wrote much faster than I would have liked. My newer stuff (think Pilgrim, Cowboy Necromancer) and even my pen name stuff (My Ninja Girl) isn’t written like this. I am now a full-time writer and before starting a project, I generally spend six months or more building the story, characters, and worlds. The books above, aside from Sacred Cat Island, didn’t benefit from this enhanced time and care, and I didn’t keep good enough notes of all the connects. So author fail.

But at least I had fun, and if you read any of these ones, I hope you did too.

Where is [insert audiobook or ebook here]?

Occasionally, but sometimes up to two or three times a day—so not occasionally—I get asked why the next book in a series isn’t out, or why there aren’t audiobooks for the later books in a series.

Here are the answers to those questions. Spoiler alert: they involve decisions based on the needs of my business/someone else’s business and books are never held from release or anything like that out of spite or writer’s block, which I don’t believe in.

We’ll start with books.

I have several series I’ll never finish. If it has been more than two year between the last release, this means I have likely moved on. I earn a living by writing, and as much as I want to please you (the fan, the reader!), I am an independent writer who writes genre fiction. What I write directly correlates to food I put on my table. 

If a book isn’t popular during the launch, it is very hard for me to continue the series because of financial reasons. I average one hundred thousand words a month. Those are the “hours” I put in, and if I am putting those hours into something that isn’t reaching a wider audience, I’m directly hurting my own future income because of the time and money it costs to produce a book, then get a cover made, pay editors, pay for advertising, the overhead costs.

It’s not ideal, but this is the truth. 

If a food company made a really delicious cookie that sold like crack, they’d make more. If they made one that was very genuine and definitely had a unique flavor yet never reached the numbers they needed to sustain their business, they’d stop producing said cookie.

No, I’m not hungry for cookies. Let’s try toys.

If a toy company launched a new toy, let’s call it Tickle-Me-Harmon, and it was really popular even after it was discovered that the toy was secretly taking over people’s bluetooth networks to brainwash them into radical flat earth theories through subliminal messaging, the toy company would theoretically produce more.

If the toy company launched a similar toy called writer’s block which was a wooden block with question marks carved onto each surface that people found clever but no one ever bought, they’d stop producing the writer’s block toy.

You get my point.

This is why independent authors such as myself put so much into a launch and trying to garner reviews. Those are our literal life blood. Take a look at the next two books you plan to purchase on Amazon. One has five hundred generally positive reviews. The other has seventeen. Or think about it like this: you want a toaster oven. Once has five hundred reviews, the other has seventeen. 

Which one do you buy? Which one do most people buy?

So this is why it is so crucial to review books you like, and likely why so many authors (myself included) beg so hard for reviews. We are in a new system where stars often matter over content. I need stars like I need oxygen during a launch. Aside from the dopaminergic effects, it literally is what allows me to continue doing what I love to do.

It’s odd, really, the dopamine plus the fear that the bottom could fall out all hitting at the same time. I’ve launched over fifty books now (some very successfully!), so I’ve gotten used to it. But it still has the power to knock me on my ass if I’ve botched the launch somehow or the book isn’t connect, and it also can make me breathe a sigh of relief that ripples through my entire body and changes my mood for days upon a successful launch.

By now, any indie writer reading this knows that I haven’t mentioned the elephant in the room, and that elephant is named ALGORITHM. I, and all indie writers, are a slave to the algorithms. I won’t get into that now, but it’s safe to say that the algorithms on any web store (ahem, Amazon) cater to what is most desired to the customer. A product with a lot of traction and reviews is easier to sell than one without.  It really isn’t rocket science, even if the algorithm itself is something every indie has a theory about.

But what about the art, Harmon. THE ART.

Of course, there are the purists or those who would read this and say that someone who thinks this way isn’t doing it for the art (or whatever) and they’d be wrong. Authors like me work the way we do precisely to be able to continue to create art. I’ve been writing novels now for close to fifteen years. I first self-published in 2011 and failed miserably. I tried again in 2014 through an endeavor in Asia and figured a few tricks out. Finally I decided to try one more in 2015. It’s my dream, it’s my livelihood, and to say that it’s my passion would be an understatement. 

I’m thirty-seven as of this writing and creating worlds and publishing books is all I want to do, and all I plan to do for the rest of my life. Yes, I will have a hundred books written at some point, and yes, that will grow to two hundred+, each a piece of my life with some memory tucked away within. But for me to do this the rest of my life, the time I spend, and what I put my focus in now matters. The more readers and well-received books I can garner, the easier it is for my little choo-choo train of fuckery to chug along so I can continue doing this until Lucian comes to get me (readers of my series Death’s Mantle will understand this reference).

In other words: for me to continue to make it my dream, and for my own creativity to provide for my family of two (hopefully three once we get a pet), I have to write what people want to read, and generally, what people want to read is what sells, which translates to reviews, which translates to more sales, which translates to more books, and here we go again this ride WILL NOT STOP!

So to recap: if it seems I have dropped a series, I probably have, but it’s not because I hate you or that I’m taking a Rothfuss-like break. It’s likely because I write for a living and I had to take a harsh look at the business and say, “it’s time to try something else.” Further, if you like a work of mine when you read it, or any author for that matter, review the book. If you’re part of a reader’s group on Facebook or some other forum, tell someone. It really helps. 

Audiobooks

I get questions on audiobooks a lot, and can say that the answer to where is an audiobook (that should have been out a year ago) basically falls into the same explanation I gave above about unfinished series. Audiobooks cost a lot to make and take a lot of time to cut/put together/make spiffy. Audiobook producers are businesses as well, and they have to make decisions based on what’s good for their business.

Do they produce a book by an author who has sold 10 copies of the first audiobook in the series? Or the author who has sold 10,000 of the first audiobook? Most people I’ve met thus far in this business are out to please the reader/listener, and framing it like that gives you your answer as to what book they’ll likely produce next (hint: the latter).

I think that pretty much covers it. 



Pilgrim!

My newest book is out now and it represents a turning point for me as I move in a different direction as Harmon Cooper (for my men’s adventure stuff, I’ve launched the Gideon Caldwell penname).

Anyway, without further ado, I give you PILGRIM.

A former assassin. A new beginning. An unspeakable past.

Abandoned at birth and raised to be an assassin by the mysterious Diyu Brotherhood, Danzen Ravja has had enough of the life of a contract killer. After completing his disastrous last assignment, he slips away to the remote Genshin Valley hoping to disappear for good. 

Once he reaches Suja Village, Danzen does his best to keep his identity a secret. 

He eventually becomes known as "Pilgrim" by the locals after he takes shelter in an abandoned monastery, which he plans to rebuild. 

But his troubled past quickly catches up with him. 

At the direction of his former teacher, the Diyu Brotherhood has put a hit on Danzen that has every assassin in the kingdom after him, which would be bad in itself if it weren't for his dark secret: Danzen Ravja is half-demon, and if he spills even a single drop of his own blood, he unleashes a horde of demons who will stop at nothing to kill Danzen and anyone he holds dear.

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February Updates!


I’ve got a lot in store for this year, and one of the things happening is…

I’m dividing.

Going forward, I’ll be writing men’s fiction/pulp/harem fantasy under the name Gideon Caldwell (the main character from Cherry Blossom Girls - aka meta!), and the first book under that name will be Sword Goddess.

You can scope out the preview here, and I’m always looking for advanced review copy readers to review on the day of launch, so if you’re interested, email me (writer.harmoncooper at gmail.com) or comment below!

I’m also working on something truly powerful for my next new Harmon Cooper release. I’ll post a cover/synopsis of that soon. In the meantime, I’ll finish out the House of Dolls series, Death’s Mantle and Cherry Blossom Girls….

Be sure to review/read all my books on Amazon. It really helps!

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First week of December UPDATES!

So much to update, but I’ll keep it briefish.

I’m wrapping up Way of the Immortals 3 as we speak. The audio for book two will be out in January, as will the third installment in print.

I’ve started Death’s Mantle 2 and you can see a preview of the cover on my Instagram. (ADD ME!)

I have a ton in store for 2020 including launching 2-4 new series. The first should come in spring and if you want to know more about it, you can join my Patreon at the $1 level where you’ll get access to this type of stuff. Otherwise, I’ll post about it when I have more info in terms of release and audiobook status.

I’ve begun writing the score for a project I’d also like to do in 2020. I may start posting that on either my Patreon or YouTube soon, so you’ll be able to hear my demos. More on that soon!

Finally, this month I have several audiobooks coming out:

Cherry Blossom Girls 8 narrated by PJ Ochlan and published by Tantor

We Could Be Heroes narrated by Soundbooth Theater (Justin Thomas James, Jeff Hays, Annie Ellicott, Andrea Parsneau) and published by SBT/Blackstone

Death’s Mantle narrated by Andrea Parsneau and published by Podium

So check them out!